Naji Al-Ali, Edward Said and Civil Liberation Theology in Palestine: Contextual, Indigenous and Decolonising Methodologies

This article coins a new expression: ‘civil liberation theology’ in Palestine. Astonishingly while feminist, black and post-colonial theologies of liberation have flourished in the West, there is little discussion of indigenous and decolonising perspectives or civil and secular-humanist reflections on liberation theology. Inspired by the works of Palestinian visual artist Naji Al-Ali and public intellectual Edward Said, the article brings into the debate on theologies of liberation in Palestine-Israel a neglected subject: an egalitarian, none-denominational theology rooted in decolonising methodologies. This civil liberation theology attempts to address the questions: how can exile be overcome? How can history be transcended and decolonised? And how can indigenous memory be reclaimed? The article brings into focus indigenous, humanist and non-religious ways of thinking on which Edward Said and Naji Al-Ali (in his famous figurative character Handhala) insisted. This civil liberation theology also draws on contrapuntal methodologies and critical indigenous and non-denominational theologies in ‘historic Palestine’ – progressive, creative and liberative theologies which occupy multiple sites of liberation and can be made relevant not only to people of faith (Muslims, Jews, Christians) but also to secular-humanists.